
Robert Borgatti
Robert Borgatti taught and served as coordinator of the Digital Media program at SUNY Niagara for many years. In addition to being one of the three co-founders and co-editors of Slipstream, he handles graphic design duties, the web, and social media for Slipstream. He is also a documentary filmmaker and three of his films, in/word/out, Fading in the Mist, and most recently, America’s Stairway, have aired nationally on PBS. His poems have been published in various journals, including Blank Gun Silencer, Misnomer, Nomad, Reflections, and the Buffalo News.
The Year of Disappearing
the year of disappearing
begins like any other
with the simple click of a second hand
and the distant toll of bells
but stars are falling from the sky
and you mustake them for snowflakes
each one an unanswered prayer
that dies on the dark, wet pavement
*
the year of disappearing
has twelve months like any other
but each month is a thousand days
and all those days are yesterdays
you want to bring them back
tune them in like favorite reruns
on an old black and white TV
the one on the dusty workbench in the basement
but all you can see are smears and shadows
all you hear are wisps of distant chatter
that drift in and out of the static
channel after channel
until the knob comes off in your hand
*
in the year of disappearing
ghosts pose as trees in your backyard
from your kitchen window
you watch them shimmer in a listless breeze
they are tired and have taken refuge there
after a long trip through the heavens
their branches dangle stars and planets
and their coats ensnarl skulls and bones
you know because you dug the dirt around them
looking for your former life
but this ia all you've found
The Strand & Cataract
stood side-by-side
twin theaters on Falls Street
back when the city had a Falls Street
vibrant with cars and shops
and people bumping shoulders
beneath the flashing golden glow
of dueling marquees
we were among the last to go there
the last to see those old-time movie palaces
as their luster began to flicker and fade
remnants of a lost civilization
with their high domed ceilings and mysterious screens
hidden behind thick, dusty curtains
that parted like predictable magic
as the lights went down
and the projector glowed to life
words like loge and mezzanine
disappearing from the lexicon
while Escape from the Planet of the Apes
played to a half-empty house
wide winding staircases and dried-up fountains
dimly-lit lounges
flanked by walls of mirrored glass and crushed velvet
whispering a sad opulence
tattered and musty
heavy with the smell of the past
stale smoke and burnt popcorn
restrooms no longer kept clean
above their doors
silhouettes
a lady and a gentleman
bon vivant shadows of another time
locked in a frozen stare at each other
afraid to look away
afraid for the lights to go out
and the usher to close the doors
one last time
before the scavengers and junk men came to call
one last time
before the crowds formed out on the street
to applaud the wrecking ball
and the closing credits of a film
whose only words were: the end.